Living in Sin Women and Femininity Quotes

The title suggests that this couple, living together outside of marriage, was a rebellious couple for the 1950s. Even though things didn't turn out the way she wanted, this first line also shows that the woman did not expect to have to take on the traditional role of homemaker in order to keep up the couple's home and their relationship. However, given that she thought the studio (the relationship) would stay tidy all by itself, it doesn't seem that she gave much thought to the practicalities of how things would get done. Notice that she didn't suggest that she and her partner would share responsibilities!

Here we see the man's main role in the poem, which doesn't amount to very much. While the woman doesn't put a lot of effort into keeping up the studio (the relationship), the man doesn't put in any effort at all, symbolized most clearly by the fact that upon noticing that the piano needs some attention, he just gets up and actually leaves the home, rather than doing anything about it.

These lines contrast with the previous lines (15-18) that show the man leaving the home when he notices something needs attention. Here, the woman is bothered enough by the deterioration of their home (their relationship) that she attempts to clean up. The poem starts out suggesting that this couple is not very traditional, in that they live together outside of wedlock. Also, the woman did not seem to have the intention of being a traditional homemaker. However, by the end of the poem, their roles seem a little more traditional than the woman once imagined, in that the man is absent from the home, and the woman is left to do the housework.