As the quotes for this theme demonstrate, reading Goodbye, Columbus is like visiting a language buffet. The novella is probably seventy-five percent dialogue, and you'll find it rich, diverse, bawdy, and perhaps even shocking at moments. More often than not, it's terribly funny, even when we fear we shouldn't be laughing. The deft chunks of prose are equally irresistible. This is where we get to experience narrator Neil Klugman's inner thoughts, see his inner visions, and snicker or gasp at his wry observations. Philip Roth seems very interested in how people communicate and fail to communicate with each other. Goodbye, Columbus explores how language can be used to both create, express, and discovery realities.
Questions About Language and Communication
- Is Neil a good communicator? Are there moments when he communicates effectively? Moments when he tries and fails? If you can, give examples of both.
- Who has the best lines in Goodbye, Columbus?
- Is any of the language used in the novella offensive to you? Why or why not?
- Who is the best communicator in the story? The worst? Why?
Chew on This
Neil communicates his feelings well to the readers, but poorly to Brenda.
By being overly judgmental, Neil misses many opportunities for meaningful communication.