For some reason, Claude is obsessed with acting like an old Southern plantation owner. Although we find this both weird and gross, we have to admit that West nails the comedic timing here. It's all fantasy here, and the fantasy isn't even accurate.

Is that a small valise in your pocket, or are you just happy to see us? Although Tod resists his feelings at first, he quickly realizes that he's powerless to stop them. So what is he supposed to do? Throw away her phone number? Tear up all the paintings he's made of her? Take a dozen cold showers?