How we cite our quotes: Citations follow this format: (Chapter.Paragraph)
Quote #4
An immense joy came over her. It was indescribable. It had nothing to do with humanity, and most resembled the all-pervading happiness of fine weather. Fine weather is due to the sun, but Margaret could think of no central radiance here. She stood in his drawing-room happy, and longing to give happiness. On leaving him she realized that the central radiance had been love. (18.24)
Love, here, seems like a force of nature, just as powerful and necessary as the sun – it's so natural, in fact, that Margaret doesn't even recognize it for what it is right away.
Quote #5
Margaret had often wondered at the disturbance that takes place in the world's waters, when Love, who seems so tiny a pebble, slips in. Whom does Love concern beyond the beloved and the lover? Yet his impact deluges a hundred shores. No doubt the disturbance is really the spirit of the generations, welcoming the new generation, and chafing against the ultimate Fate, who holds all the seas in the palm of her hand. But Love cannot understand this. He cannot comprehend another's infinity; he is conscious only of his own--flying sunbeam, falling rose, pebble that asks for one quiet plunge below the fretting interplay of space and time. He knows that he will survive at the end of things, and be gathered by Fate as a jewel from the slime, and be handed with admiration round the assembly of the gods. "Men did produce this," they will say, and, saying, they will give men immortality. But meanwhile--what agitations meanwhile! The foundations of Property and Propriety are laid bare, twin rocks; Family Pride flounders to the surface, puffing and blowing, and refusing to be comforted; Theology, vaguely ascetic, gets up a nasty ground swell. Then the lawyers are aroused--cold brood--and creep out of their holes. They do what they can; they tidy up Property and Propriety, reassure Theology and Family Pride. Half-guineas are poured on the troubled waters, the lawyers creep back, and, if all has gone well, Love joins one man and woman together in Matrimony. (20.1)
This is really just a big dramatic explanation of how much trouble love causes. It seems like it should be simple, and just between two people – but when marriage comes into it, it's actually a lot more complicated and difficult than it should be.
Quote #6
After dinner he asked Margaret if she wouldn't care for a turn on the Parade. She accepted, and could not repress a little tremor; it would be her first real love scene. But as she put on her hat she burst out laughing. Love was so unlike the article served up in books: the joy, though genuine, was different; the mystery an unexpected mystery. For one thing, Mr. Wilcox still seemed a stranger. (20.4)
Love, to Margaret, is a lot less extravagant than novels make it seem – rather, it's still exciting and strange, but not in the way she expects.