Bleak House Full Text: Chapter 14 : Page 8
With that apology I withdrew to a seat between Peepy (who, being well used to it, had already climbed into a corner place) and an old lady of a censorious countenance whose two nieces were in the class and who was very indignant with Peepy's boots. Prince Turveydrop then tinkled the strings of his kit with his fingers, and the young ladies stood up to dance. Just then there appeared from a side-door old Mr. Turveydrop, in the full lustre of his deportment.
"Father! A visitor. Miss Jellyby's friend, Miss Summerson."
"Distinguished," said Mr. Turveydrop, "by Miss Summerson's presence." As he bowed to me in that tight state, I almost believe I saw creases come into the whites of his eyes.
"My father," said the son, aside, to me with quite an affecting belief in him, "is a celebrated character. My father is greatly admired."
"Go on, Prince! Go on!" said Mr. Turveydrop, standing with his back to the fire and waving his gloves condescendingly. "Go on, my son!"
At this command, or by this gracious permission, the lesson went on. Prince Turveydrop sometimes played the kit, dancing; sometimes played the piano, standing; sometimes hummed the tune with what little breath he could spare, while he set a pupil right; always conscientiously moved with the least proficient through every step and every part of the figure; and never rested for an instant. His distinguished father did nothing whatever but stand before the fire, a model of deportment.
"And he never does anything else," said the old lady of the censorious countenance. "Yet would you believe that it's HIS name on the door-plate?"
"His son's name is the same, you know," said I.