We have changed our privacy policy. In addition, we use cookies on our website for various purposes. By continuing on our website, you consent to our use of cookies. You can learn about our practices by reading our privacy policy.

Three-Act Plot Analysis

For a three-act plot analysis, put on your screenwriter’s hat. Moviemakers know the formula well: at the end of Act One, the main character is drawn in completely to a conflict. During Act Two, she is farthest away from her goals. At the end of Act Three, the story is resolved.

Act I

Chapter 1-23. The Schlegel-Wilcox opposition is set up, and then cemented when Margaret decides to marry Henry; Helen comes out and says that she is breaking off from them.

Act II

Chapter 24-41. This act ends with the convergence of all of the bad things that have happened so far – Helen's pregnancy, Charles's Wilcoxian sense of propriety, and poor Leonard's final appearance. Of course, it all ends up at Howards End.

Act III

Chapter 42-44. After Charles inadvertently kills Leonard, the last couple of chapters tie up all of our loose ends – and present an opening into the future.