Little Dorrit Full Text: Book 1, Chapter 20

Little Dorrit Full Text: Book 1, Chapter 20 : Page 4

Little Dorrit sat down in a golden chair, made quite giddy by these rapid interruptions. Her sister and the rest were a long time gone; and during their absence a voice (it appeared to be that of the gentleman with the black hair) was continually calling out through the music, 'One, two, three, four, five, six--go! One, two, three, four, five, six--go! Steady, darlings! One, two, three, four, five, six--go!' Ultimately the voice stopped, and they all came back again, more or less out of breath, folding themselves in their shawls, and making ready for the streets. 'Stop a moment, Amy, and let them get away before us,' whispered Fanny. They were soon left alone; nothing more important happening, in the meantime, than the boy looking round his old beam, and saying, 'Everybody at eleven to-morrow, ladies!' and the gentleman with the black hair looking round his old beam, and saying, 'Everybody at eleven to-morrow, darlings!' each in his own accustomed manner.

When they were alone, something was rolled up or by other means got out of the way, and there was a great empty well before them, looking down into the depths of which Fanny said, 'Now, uncle!' Little Dorrit, as her eyes became used to the darkness, faintly made him out at the bottom of the well, in an obscure corner by himself, with his instrument in its ragged case under his arm.

The old man looked as if the remote high gallery windows, with their little strip of sky, might have been the point of his better fortunes, from which he had descended, until he had gradually sunk down below there to the bottom. He had been in that place six nights a week for many years, but had never been observed to raise his eyes above his music-book, and was confidently believed to have never seen a play. There were legends in the place that he did not so much as know the popular heroes and heroines by sight, and that the low comedian had 'mugged' at him in his richest manner fifty nights for a wager, and he had shown no trace of consciousness. The carpenters had a joke to the effect that he was dead without being aware of it; and the frequenters of the pit supposed him to pass his whole life, night and day, and Sunday and all, in the orchestra. They had tried him a few times with pinches of snuff offered over the rails, and he had always responded to this attention with a momentary waking up of manner that had the pale phantom of a gentleman in it: beyond this he never, on any occasion, had any other part in what was going on than the part written out for the clarionet; in private life, where there was no part for the clarionet, he had no part at all. Some said he was poor, some said he was a wealthy miser; but he said nothing, never lifted up his bowed head, never varied his shuffling gait by getting his springless foot from the ground. Though expecting now to be summoned by his niece, he did not hear her until she had spoken to him three or four times; nor was he at all surprised by the presence of two nieces instead of one, but merely said in his tremulous voice, 'I am coming, I am coming!' and crept forth by some underground way which emitted a cellarous smell.

'And so, Amy,' said her sister, when the three together passed out at the door that had such a shame-faced consciousness of being different from other doors: the uncle instinctively taking Amy's arm as the arm to be relied on: 'so, Amy, you are curious about me?'

Read Shmoop's Analysis of Book 1, Chapter 20