There was a string of people already straggling in, whom it was not difficult to identify as the nondescript messengers, go-betweens, and errand-bearers of the place. Some of them had been lounging in the rain until the gate should open; others, who had timed their arrival with greater nicety, were coming up now, and passing in with damp whitey-brown paper bags from the grocers, loaves of bread, lumps of butter, eggs, milk, and the like. The shabbiness of these attendants upon shabbiness, the poverty of these insolvent waiters upon insolvency, was a sight to see. Such threadbare coats and trousers, such fusty gowns and shawls, such squashed hats and bonnets, such boots and shoes, such umbrellas and walking-sticks, never were seen in Rag Fair. All of them wore the cast-off clothes of other men and women, were made up of patches and pieces of other people's individuality, and had no sartorial existence of their own proper. Their walk was the walk of a race apart. They had a peculiar way of doggedly slinking round the corner, as if they were eternally going to the pawnbroker's. When they coughed, they coughed like people accustomed to be forgotten on doorsteps and in draughty passages, waiting for answers to letters in faded ink, which gave the recipients of those manuscripts great mental disturbance and no satisfaction. As they eyed the stranger in passing, they eyed him with borrowing eyes--hungry, sharp, speculative as to his softness if they were accredited to him, and the likelihood of his standing something handsome. Mendicity on commission stooped in their high shoulders, shambled in their unsteady legs, buttoned and pinned and darned and dragged their clothes, frayed their button-holes, leaked out of their figures in dirty little ends of tape, and issued from their mouths in alcoholic breathings.

As these people passed him standing still in the court-yard, and one of them turned back to inquire if he could assist him with his services, it came into Arthur Clennam's mind that he would speak to Little Dorrit again before he went away. She would have recovered her first surprise, and might feel easier with him. He asked this member of the fraternity (who had two red herrings in his hand, and a loaf and a blacking brush under his arm), where was the nearest place to get a cup of coffee at. The nondescript replied in encouraging terms, and brought him to a coffee-shop in the street within a stone's throw.

'Do you know Miss Dorrit?' asked the new client.

The nondescript knew two Miss Dorrits; one who was born inside--That was the one! That was the one? The nondescript had known her many years. In regard of the other Miss Dorrit, the nondescript lodged in the same house with herself and uncle.

This changed the client's half-formed design of remaining at the coffee-shop until the nondescript should bring him word that Dorrit had issued forth into the street. He entrusted the nondescript with a confidential message to her, importing that the visitor who had waited on her father last night, begged the favour of a few words with her at her uncle's lodging; he obtained from the same source full directions to the house, which was very near; dismissed the nondescript gratified with half-a-crown; and having hastily refreshed himself at the coffee-shop, repaired with all speed to the clarionet-player's dwelling.

There were so many lodgers in this house that the doorpost seemed to be as full of bell-handles as a cathedral organ is of stops. Doubtful which might be the clarionet-stop, he was considering the point, when a shuttlecock flew out of the parlour window, and alighted on his hat. He then observed that in the parlour window was a blind with the inscription, MR CRIPPLES's ACADEMY; also in another line, EVENING TUITION; and behind the blind was a little white-faced boy, with a slice of bread-and-butter and a battledore. The window being accessible from the footway, he looked in over the blind, returned the shuttlecock, and put his question.

'Dorrit?' said the little white-faced boy (Master Cripples in fact). '_Mr_ Dorrit? Third bell and one knock.'

The pupils of Mr Cripples appeared to have been making a copy-book of the street-door, it was so extensively scribbled over in pencil. The frequency of the inscriptions, 'Old Dorrit,' and 'Dirty Dick,' in combination, suggested intentions of personality on the part Of Mr Cripples's pupils. There was ample time to make these observations before the door was opened by the poor old man himself.

'Ha!' said he, very slowly remembering Arthur, 'you were shut in last night?'