'You'd be easier with us if you were Mr Merdle, sir,' the Defaulter would go on with rising spirits, 'and it would be better for all parties. Better for our sakes, and better for yours, too. You wouldn't have to worry no one, then, sir. You wouldn't have to worry us, and you wouldn't have to worry yourself. You'd be easier in your own mind, sir, and you'd leave others easier, too, you would, if you were Mr Merdle.'

Mr Pancks, in whom these impersonal compliments produced an irresistible sheepishness, never rallied after such a charge. He could only bite his nails and puff away to the next Defaulter. The responsive Bleeding Hearts would then gather round the Defaulter whom he had just abandoned, and the most extravagant rumours would circulate among them, to their great comfort, touching the amount of Mr Merdle's ready money.

From one of the many such defeats of one of many rent-days, Mr Pancks, having finished his day's collection, repaired with his note-book under his arm to Mrs Plornish's corner. Mr Pancks's object was not professional, but social. He had had a trying day, and wanted a little brightening. By this time he was on friendly terms with the Plornish family, having often looked in upon them at similar seasons, and borne his part in recollections of Miss Dorrit.

Mrs Plornish's shop-parlour had been decorated under her own eye, and presented, on the side towards the shop, a little fiction in which Mrs Plornish unspeakably rejoiced. This poetical heightening of the parlour consisted in the wall being painted to represent the exterior of a thatched cottage; the artist having introduced (in as effective a manner as he found compatible with their highly disproportionate dimensions) the real door and window. The modest sunflower and hollyhock were depicted as flourishing with great luxuriance on this rustic dwelling, while a quantity of dense smoke issuing from the chimney indicated good cheer within, and also, perhaps, that it had not been lately swept. A faithful dog was represented as flying at the legs of the friendly visitor, from the threshold; and a circular pigeon-house, enveloped in a cloud of pigeons, arose from behind the garden-paling. On the door (when it was shut), appeared the semblance of a brass-plate, presenting the inscription, Happy Cottage, T. and M. Plornish; the partnership expressing man and wife. No Poetry and no Art ever charmed the imagination more than the union of the two in this counterfeit cottage charmed Mrs Plornish. It was nothing to her that Plornish had a habit of leaning against it as he smoked his pipe after work, when his hat blotted out the pigeon-house and all the pigeons, when his back swallowed up the dwelling, when his hands in his pockets uprooted the blooming garden and laid waste the adjacent country. To Mrs Plornish, it was still a most beautiful cottage, a most wonderful deception; and it made no difference that Mr Plornish's eye was some inches above the level of the gable bed-room in the thatch. To come out into the shop after it was shut, and hear her father sing a song inside this cottage, was a perfect Pastoral to Mrs Plornish, the Golden Age revived. And truly if that famous period had been revived, or had ever been at all, it may be doubted whether it would have produced many more heartily admiring daughters than the poor woman.