How we cite our quotes:
Quote #7
Mr. Blandois being enraptured, they walked through other garrets and passages, and came down the staircase again. By this time Mr. Flintwinch had remarked that he never found the visitor looking at any room, after throwing one quick glance around, but always found the visitor looking at him, Mr. Flintwinch. With this discovery in his thoughts, he turned about on the staircase for another experiment. He met his eyes directly; and on the instant of their fixing one another, the visitor, with that ugly play of nose and moustache, laughed (as he had done at every similar moment since they left Mrs. Clennam's chamber) a diabolically silent laugh.
As a much shorter man than the visitor, Mr. Flintwinch was at the physical disadvantage of being thus disagreeably leered at from a height; and as he went first down the staircase, and was usually a step or two lower than the other, this disadvantage was at the time increased. He postponed looking at Mr. Blandois again until this accidental inequality was removed by their having entered the late Mr. Clennam's room. But, then twisting himself suddenly round upon him, he found his look unchanged. (1.30.93-95)
Blandois's evil appearance helps him out a lot. He's got way less actual threatening to do when his mustache alone has this much intimidation factor.
Quote #8
Now, Mrs. Merdle, who really knew her friend Society pretty well, and who knew what Society's mothers were, and what Society's daughters were, and what Society's matrimonial market was, and how prices ruled in it, and what scheming and counter-scheming took place for the high buyers, and what bargaining and huckstering went on, thought in the depths of her capacious bosom that this was a sufficiently good catch. Knowing, however, what was expected of her, and perceiving the exact nature of the fiction to be nursed, she took it delicately in her arms, and put her required contribution of gloss upon it... And Mrs. Gowan, who of course saw through her own threadbare blind perfectly, and who knew that Mrs. Merdle saw through it perfectly, and who knew that Society would see through it perfectly, came out of this form, notwithstanding, as she had gone into it, with immense complacency and gravity. (1.33.35-41)
It makes sense that Mrs. Gowan, who we saw earlier playing the hilarious games of hide-the-bed and hide-the-kitchen and ignore-the-yelling-servants in her tiny, crummy house, is now playing an even more cynical game of spin-the-story-of-the-marriage. Shmoop loves the "she knows that I know that she knows that I know" aspect of their conversation.
Quote #9
[Doyce] had the power, often to be found in union with such a character, of explaining what he himself perceived, and meant, with the direct force and distinctness with which it struck his own mind. His manner of demonstration was so orderly and neat and simple, that it was not easy to mistake him. There was something almost ludicrous in the complete irreconcilability of a vague conventional notion that he must be a visionary man, with the precise, sagacious travelling of his eye and thumb over the plans, their patient stoppages at particular points, their careful returns to other points whence little channels of explanation had to be traced up, and his steady manner of making everything good and everything sound at each important stage, before taking his hearer on a line's-breadth further. His dismissal of himself from his description, was hardly less remarkable. He never said, I discovered this adaptation or invented that combination; but showed the whole thing as if the Divine artificer had made it, and he had happened to find it; so modest he was about it, such a pleasant touch of respect was mingled with his quiet admiration of it, and so calmly convinced he was that it was established on irrefragable laws. (2.8.10)
Is there something in this description of Doyce's straightforwardness that's meant to connect him with the narrator's project of laying out a story in a coherent way? What are the similarities? What are the differences? How does Doyce's power over his description differ from the narrator's?