Respect and Reputation Quotes

The opinion of the Yard was divided respecting the derivation of its name. The more practical of its inmates abided by the tradition of a murder; the gentler and more imaginative inhabitants, including the whole of the tender sex, were loyal to the legend of a young lady of former times closely imprisoned in her chamber by a cruel father for remaining true to her own true love, and refusing to marry the suitor he chose for her. The legend related how that the young lady used to be seen up at her window behind the bars, murmuring a love-lorn song of which the burden was, 'Bleeding Heart, Bleeding Heart, bleeding away,' until she died. It was objected by the murderous party that this Refrain was notoriously the invention of a tambour-worker, a spinster and romantic, still lodging in the Yard. But, forasmuch as all favourite legends must be associated with the affections, and as many more people fall in love than commit murder--which it may be hoped, howsoever bad we are, will continue until the end of the world to be the dispensation under which we shall live--the Bleeding Heart, Bleeding Heart, bleeding away story, carried the day by a great majority. Neither party would listen to the antiquaries who delivered learned lectures in the neighbourhood, showing the Bleeding Heart to have been the heraldic cognisance of the old family to whom the property had once belonged. And, considering that the hour-glass they turned from year to year was filled with the earthiest and coarsest sand, the Bleeding Heart Yarders had reason enough for objecting to be despoiled of the one little golden grain of poetry that sparkled in it. (1.12.3)

Patriarch was the name which many people delighted to give him. Various old ladies in the neighbourhood spoke of him as The Last of the Patriarchs. So grey, so slow, so quiet, so impassionate, so very bumpy in the head, Patriarch was the word for him. He had been accosted in the streets, and respectfully solicited to become a Patriarch for painters and for sculptors; with so much importunity, in sooth, that it would appear to be beyond the Fine Arts to remember the points of a Patriarch, or to invent one. Philanthropists of both sexes had asked who he was, and on being informed, 'Old Christopher Casby, formerly Town-agent to Lord Decimus Tite Barnacle,' had cried in a rapture of disappointment, 'Oh! why, with that head, is he not a benefactor to his species! Oh! why, with that head, is he not a father to the orphan and a friend to the friendless!' With that head, however, he remained old Christopher Casby, proclaimed by common report rich in house property; [...] His smooth face had a bloom upon it like ripe wall-fruit. What with his blooming face, and that head, and his blue eyes, he seemed to be delivering sentiments of rare wisdom and virtue. In like manner, his physiognomical expression seemed to teem with benignity. Nobody could have said where the wisdom was, or where the virtue was, or where the benignity was; but they all seemed to be somewhere about him. (1.13.8-24)

[Clennam] had come to attach to Little Dorrit an interest so peculiar--an interest that removed her from, while it grew out of, the common and coarse things surrounding her--that he found it disappointing, disagreeable, almost painful, to suppose her in love with young Mr. Chivery in the back-yard, or any such person. On the other hand, he reasoned with himself that she was just as good and just as true in love with him, as not in love with him; and that to make a kind of domesticated fairy of her, on the penalty of isolation at heart from the only people she knew, would be but a weakness of his own fancy, and not a kind one. Still, her youthful and ethereal appearance, her timid manner, the charm of her sensitive voice and eyes, the very many respects in which she had interested him out of her own individuality, and the strong difference between herself and those about her, were not in unison, and were determined not to be in unison, with this newly presented idea. (1.22.32)