How we cite our quotes: (Part.Paragraph)
Quote #7
The manager at Carnegie Hall was told to get another usher in his stead; the doorkeeper at the theatre was warned not to admit him to the house; and Charley Edwards remorsefully promised the boy's father not to see him again. (1.35)
This seems to be a turning point for Paul. From now on, he's not obsessed with art and theater so much as he is obsessed with having money—and the power it brings.