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Shakespeare's Stage 4612 Views
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Description:
Imagine yourself going to see a show. The cushy red seats. The talented orchestra. The body odor and animal abuse. Not what you pictured? Be thankful that plenty has changed since Shakespeare's time.
Transcript
- 00:04
Shakespeare's stage, a la Shmoop. We all know what a modern theater looks like.
- 00:13
There's the stage, the curtains, the orchestra pit, the lights...
- 00:16
...the chandelier hanging above the audience, just waiting for the Phantom of the Opera
- 00:20
to do something sinister.
- 00:24
In Shakespeare's time, however, it was very different.
Full Transcript
- 00:30
The first theaters didn't even have walls. Instead, plays were performed in processions…
- 00:37
or in circular, grassy areas.
- 00:39
The actors didn't much care for this.
- 00:44
Not only was there no separation between them and the audience…
- 00:48
…but rain delays were a common problem, and being on a level with so much body odor
- 00:49
had caused many a production not to make it past opening night.
- 00:53
So, after years of careful research and analysis, actors ditched the grassy fields of the past
- 00:59
for the marketplace. The early marketplace had one great advantage
- 01:01
over the original outdoor theater: it had a floor.
- 01:02
Naturally, this was considered a technological marvel, and the actors charged their audiences
- 01:06
accordingly.
- 01:07
Plays were performed on scaffolds raised in the marketplace, where people could gather
- 01:11
around to watch the action, and come and go as they pleased.
- 01:14
Obviously, this venue was quite noisy, especially as people bought and sold goods all around
- 01:18
the stage.
- 01:22
Actors had to shout to be heard above the babble, but at least no one could tell when
- 01:25
someone flubbed a line. While performing in the marketplace meant
- 01:27
that the actors no longer suffered so much from hay fever, they did face a couple of
- 01:28
other problems.
- 01:28
Sometimes, people would rush the stage, or watch a show without paying.
- 01:29
We've all seen mimes and contortionists and really bad Bob Marley impersonators performing
- 01:35
on street corners.
- 01:38
We might stop to watch for a few minutes, and then move along without putting our spare
- 01:44
change in the bucket.
- 01:48
It was roughly the same thing in Shakespeare's day.
- 01:50
So, how do you stop people from mooching? You build a theater, where every person who
- 01:58
wants to watch the show has to put money in a box as he or she is entering the building.
- 02:02
That's Nobel Prize-worthy thinking right there.
- 02:07
Shakespeare spent most of his career working at a theater called the Globe.
- 02:11
Here, there were three levels of seating, and a pit where people could stand.
- 02:17
Audience members paid according to whether they sat or stood to watch the performance.
- 02:20
Now, you might think the seats in the very, very back of the Globe theater would be the
- 02:25
cheapest, given their distance from the stage.
- 02:29
This wasn't the case, however: the cheapest seats, which only cost a penny, were in the
- 02:33
pit where people stood to watch the show. Just like today's theaters, where you can
- 02:40
go to watch a ballet or a musical or a symphony performance, open-air theaters like the Globe
- 02:46
offered all sorts of entertainment.
- 02:49
One of the best-selling gigs of Shakespeare's time was called bear baiting. No, it didn’t
- 02:53
involve putting bears on hooks and then using them to fish for mackerel.
- 02:57
In bear baiting, a bear would be chained to a pike and people would bet on how many dogs
- 03:05
it would take to kill the bear.
- 03:09
Ye Olde PETA frequently showed up to protest.
- 03:12
So what do you think? Would you be more likely to attend the theater if there was some good
- 03:19
old-fashioned animal violence to keep things interesting?
- 03:26
Or do you prefer our modern theaters… where at least you can contribute to early onset
- 03:30
diabetes with a rich offering at the concession stand?
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