Brideshead Revisited Memory and The Past Quotes

How we cite our quotes: Citations follow this format: (Book.Chapter.Paragraph)

Quote #4

That luncheon party – for party it proved to be – was the beginning of a new epoch in my life, but its details are dimmed for me and confused by so many others, almost identical with it, that succeeded one another that term and the next, like romping cupids in a Renaissance frieze. (1.1.49)

Charles always admits the ambiguity of memory in his narrative. It’s interesting to see which details he so vividly remembers and which are blurry in his mind.

Quote #5

I was unmoved; there was no part of me remotely touched by her distress. It was as I had often imagined being expelled from school. I almost expected to hear her say: "I have already written to inform your unhappy father." But as I drove away and turned back in the car to take what promised to be my last view of the house, I felt that I was leaving part of myself behind, and that wherever I went afterwards I should feel the lack of it, and search for it hopelessly, as ghosts are said to do, frequenting the spots where they buried material treasures without which they cannot pay their way to the nether world. (1.6.214)

Does Charles in fact find this buried part of himself when he revisits Brideshead as the Captain of infantry?

Quote #6

So I set out after dinner, with the consular porter going ahead, lantern in hand. Morocco was a new and strange country to me. Driving that day, mile after mile, up the smooth, strategic road, past the vineyards and military posts and the new, white settlements and the early crops already standing high in the vast, open fields, and the hoardings advertising the staples of France – Dubonnet, Michelin, Magasin du Louvre – I had thought it all very suburban and up-to-date; now, under the stars, in the walled city, whose streets were gentle, dusty stairways, and whose walls rose windowless on either side, closed overhead, then opened again to the stars; where the dust lay thick among the smooth paving stones and figures passed silently, robed in white, on soft slippers or hard, bare soles; where the air was scented with cloves and incense and wood smoke – now I knew what had drawn Sebastian here and held him so long. (1.8.88)

Charles concludes that beauty lies in the primitive and ancient, not in the charm of British modernism; this is a prelude to his trip to South America.