The fact was that up to the last moment he had never expected such an ending; he had been overbearing to the last degree, never dreaming that two destitute and defenceless women could escape from his control. This conviction was strengthened by his vanity and conceit, a conceit to the point of fatuity. Pyotr Petrovitch, who had made his way up from insignificance, was morbidly given to self-admiration, had the highest opinion of his intelligence and capacities, and sometimes even gloated in solitude over his image in the glass. But what he loved and valued above all was the money he had amassed by his labour, and by all sorts of devices: that money made him the equal of all who had been his superiors.

When he had bitterly reminded Dounia that he had decided to take her in spite of evil report, Pyotr Petrovitch had spoken with perfect sincerity and had, indeed, felt genuinely indignant at such "black ingratitude." And yet, when he made Dounia his offer, he was fully aware of the groundlessness of all the gossip. The story had been everywhere contradicted by Marfa Petrovna, and was by then disbelieved by all the townspeople, who were warm in Dounia'a defence. And he would not have denied that he knew all that at the time. Yet he still thought highly of his own resolution in lifting Dounia to his level and regarded it as something heroic. In speaking of it to Dounia, he had let out the secret feeling he cherished and admired, and he could not understand that others should fail to admire it too. He had called on Raskolnikov with the feelings of a benefactor who is about to reap the fruits of his good deeds and to hear agreeable flattery. And as he went downstairs now, he considered himself most undeservedly injured and unrecognised.