A sudden anguish oppressed his heart, he stood still in the middle of the street and began looking about to see where he was and which way he was going. He found himself in X. Prospect, thirty or forty paces from the Hay Market, through which he had come. The whole second storey of the house on the left was used as a tavern. All the windows were wide open; judging from the figures moving at the windows, the rooms were full to overflowing. There were sounds of singing, of clarionet and violin, and the boom of a Turkish drum. He could hear women shrieking. He was about to turn back wondering why he had come to the X. Prospect, when suddenly at one of the end windows he saw Svidrigaïlov, sitting at a tea-table right in the open window with a pipe in his mouth. Raskolnikov was dreadfully taken aback, almost terrified. Svidrigaïlov was silently watching and scrutinising him and, what struck Raskolnikov at once, seemed to be meaning to get up and slip away unobserved. Raskolnikov at once pretended not to have seen him, but to be looking absent-mindedly away, while he watched him out of the corner of his eye. His heart was beating violently. Yet, it was evident that Svidrigaïlov did not want to be seen. He took the pipe out of his mouth and was on the point of concealing himself, but as he got up and moved back his chair, he seemed to have become suddenly aware that Raskolnikov had seen him, and was watching him. What had passed between them was much the same as what happened at their first meeting in Raskolnikov's room. A sly smile came into Svidrigaïlov's face and grew broader and broader. Each knew that he was seen and watched by the other. At last Svidrigaïlov broke into a loud laugh.

"Well, well, come in if you want me; I am here!" he shouted from the window.

Raskolnikov went up into the tavern. He found Svidrigaïlov in a tiny back room, adjoining the saloon in which merchants, clerks and numbers of people of all sorts were drinking tea at twenty little tables to the desperate bawling of a chorus of singers. The click of billiard balls could be heard in the distance. On the table before Svidrigaïlov stood an open bottle and a glass half full of champagne. In the room he found also a boy with a little hand organ, a healthy-looking red-cheeked girl of eighteen, wearing a tucked-up striped skirt, and a Tyrolese hat with ribbons. In spite of the chorus in the other room, she was singing some servants' hall song in a rather husky contralto, to the accompaniment of the organ.

"Come, that's enough," Svidrigaïlov stopped her at Raskolnikov's entrance. The girl at once broke off and stood waiting respectfully. She had sung her guttural rhymes, too, with a serious and respectful expression in her face.

"Hey, Philip, a glass!" shouted Svidrigaïlov.

"I won't drink anything," said Raskolnikov.

"As you like, I didn't mean it for you. Drink, Katia! I don't want anything more to-day, you can go." He poured her out a full glass, and laid down a yellow note.

Katia drank off her glass of wine, as women do, without putting it down, in twenty gulps, took the note and kissed Svidrigaïlov's hand, which he allowed quite seriously. She went out of the room and the boy trailed after her with the organ. Both had been brought in from the street. Svidrigaïlov had not been a week in Petersburg, but everything about him was already, so to speak, on a patriarchal footing; the waiter, Philip, was by now an old friend and very obsequious.

The door leading to the saloon had a lock on it. Svidrigaïlov was at home in this room and perhaps spent whole days in it. The tavern was dirty and wretched, not even second-rate.

"I was going to see you and looking for you," Raskolnikov began, "but I don't know what made me turn from the Hay Market into the X. Prospect just now. I never take this turning. I turn to the right from the Hay Market. And this isn't the way to you. I simply turned and here you are. It is strange!"

"Why don't you say at once 'it's a miracle'?"

"Because it may be only chance."