How we cite our quotes: (Chapter.Paragraph)
Quote #7
My mental project that fall was a study of all the hands of the classroom. It was my current theory that hands were the most revealing part of the human body—far more significant than eyes. For example, if all you were shown of Caroline's body were her hands, you would know at once that she was an artistic person. Her fingers were as long and gracefully shaped as those on the disembodied hands in the Pond's ad. Her nails were filed in a perfect arc, just beyond the tip of her finger. If the nails are too long, you can't take the person seriously, too short, she has problems. Hers were exactly the right length to show that she was naturally gifted and had a strength of will to do something about it.
In contrast I observed that Call's hands were wide with short fingers, the nails bitten well below the quick. They were red and rough to show he worked hard, but not muscled enough to give them any dignity. Reluctantly, I concluded that they were the hands of a good-hearted but second-rate person. After all, Call had always been my best friend, but, I said to myself, one must face facts however unpleasant.
Then there were my hands. But I've already spoken of them. I decided one day in the middle of an algebraic equation to change my luckless life by changing my hands. Using some of my precious crab money, I went to Kellam's and bought a bottle of Jergens lotion, emery boards, orange sticks, cuticle remover, even a bottle of fingernail polish, which though colorless seemed a daring purchase. (12.40-42)
Eyes might be the windows to the soul, but Louise definitely has a thing with hands. Caroline's are perfect, while Call's are a bit second rate—her own are the worse by far, though. We're not sure the Jergens lotion is going to help you on the inside, Louise.
Psst—for more on hands, hop on over to the "Symbols" section.
Quote #8
I suppose people were a little afraid of me. I must have been a strange sight, always dressed in men's work clothes, my hands as rough and weathered as the sides of the crab house where I worked. (15.41)
After Caroline leaves, Louise gives up any pretense of trying to fit in on Rass Island. She decides to dress and act like a man, conventions be darned. People probably stay away from her because of her appearance, but that's the way she likes it.
Quote #9
He stood there in his petty officer's uniform, tall and almost shockingly broad-shouldered and thin-hipped, his cap pushed slightly back, the sun lighting on the patch of reddish hair that showed. His eyes were bright blue and smiling down at me, and his nose had mysteriously shrunk to fit his face. I realized that I was staring at him and that he was enjoying it. I looked away, embarrassed.
He laughed. "You haven't changed, you know." If he'd meant it as a compliment he couldn't have failed more. He himself had changed so marvelously over the past two years, surely something should have happened to me. I crossed my arms over my chest and held my hands tightly under the protection of my upper arms. They scratched like dry sand. (16.37-38)
What a difference a war makes. Call is home again, and Louise no longer sees a pudgy, second-rate friend—she spies a military hottie. She, on the other hand, looks like the same old Louise. Poor girl.