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AP English Literature and Composition 1.5 Passage Drill 5 197 Views


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AP English Literature and Composition 1.5 Passage Drill 5. What is the principle effect of the anaphora in lines 10-12?

Language:
English Language

Transcript

00:03

Here's your shmoop du jour, brought to you by Pictures. They're worth a thousand words.

00:08

Unless you're able to make your way over to the tent sale at Living Spaces this weekend.

00:20

What is the principle effect of the anaphora in lines 10-12?

00:25

And here are the potential answers...

00:31

Pretty straightforward question... if we know what in the world an "anaphora" is.

00:36

We're picturing some kind of euphoria arising out of a love of anagrams... but something

00:41

in our heart tells us that isn't quite right.

00:43

If we don't know our terminology, we're going to be in heaps of trouble here.

00:46

"Anaphora" is when you've got one or more words being repeated at the beginning of a

00:51

couple of successive lines or clauses.

00:53

Got it. Okay, now on to lines 10 through 12:

00:57

And dost with poison, war, and sickness dwell, And poppy'or charms can make us sleep as well

01:05

And better than thy stroke; why swell'st thou then?

01:09

Looks like this poem has a case of the "And"s.

01:12

Now we can zip through our answer choices and see which one best answers the question...

01:16

Are all the "And"s there to create a tone of repetition?

01:19

Well... they are repetitive... which is the very definition of anaphora...

01:23

...but repetition isn't really a tone. It's more of a device.

01:26

If it were a tone, however, then we could probably consider your little brother... tone deaf.

01:32

Is it to emphasize that death is rightfully proud for many reasons?

01:35

Poison, war and sickness? Seems like a pretty ugly laundry list of items to be "rightfully

01:40

proud of". Nah, not this one.

01:42

Is it to create a tone of admiration?

01:45

For... Death? For reals? The author has clearly not jumped on the Grim Reaper bandwagon.

01:49

Which, incidentally, if you ever see it coming, and the driver offers you candy... DON'T GET IN.

01:53

It's also not to create a tone of respect, for the very same reason...

01:56

...and so we're left with A -- to emphasize that there are many reasons for Death's impotence.

02:01

In other words... he's rattling off a list of all the ways Death... blows.

02:05

We couldn't agree more. Being alive is the bomb.

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