We have changed our privacy policy. In addition, we use cookies on our website for various purposes. By continuing on our website, you consent to our use of cookies. You can learn about our practices by reading our privacy policy.

Like Water for Chocolate Chapter 5 Summary

MAY, Northern-Style Chorizo

  • It's sad times for Tita; ever since Pedro and company left for San Antonio, she only cares about feeding a helpless pigeon.
  • The ranch is still reeling from a visit from the revolutionary army, which is told in a flashback.
  • Only Mama E, Tita, Chencha, Rosaura, and Guadalupe (the two farmhands) are present; Nicholas had left to buy cattle and Felipe, his son, is in San Antonio to get news of Pedro and his family.
  • Mama E grabs her shotgun and Tita, Chencha, and the pig rush to the cellar to hide.
  • Women, unite. They meet the revolutionaries at the entrance of the house.
  • The captain asks for food and Mama E offers up whatever they like from the corn crib and the stable but she "won't allow [the captain] to touch anything inside [her] house" (5, 298).
  • A frustrated sergeant declares that he'll go search the house anyway.
  • Mama E doesn't mess around. She raises her shotgun and shoots the chickens the sergeant has in his hands, then threatens to kill the captain if they disobey her.
  • "[The soldiers] fell prisoner to a childlike fear of maternal authority" (5,309). Yeah, Mama E is THAT scary.
  • With their tales between their legs, the troop leaves peacefully.
  • Mama E is surprised that they are not the "ruffians" she expected—little does she know that the captain is the same Juan Alejandrez who carried off Gertrudis.
  • Tita comes out of hiding and immediately misses the cooing of the pigeons.
  • Up in the dovecote, she finds a tiny newborn pigeon.
  • Tita secretly wishes that the soldiers had killed her mother…talk about mommy-daughter issues.
  • Back in the present, Tita looks for worms and thinks about Roberto, her nephew.
  • Chencha joins her and forces her to come help with the sausages.
  • Mid-sausage grinding, Mama E comes in, demanding her bath.
  • Like everything with Mama E, nothing is easy. Bath time is a real ordeal and only Tita can perform the "ritual." She's also the only one to see her mom in the nude…what would Freud say, we wonder?
  • This day in particular Tita does everything wrong and is sent away.
  • Tita stuffs the sausages and has a flashback to a hot summer night…
  • Because of the heat, the family sleeps on the patio and they eat cold watermelon to stay cool.
  • Tita gets up to go to the bathroom and Pedro follows her.
  • Finally. Pedro pulls Tita to him and they get into some heavy petting. Rawr.
  • Just as Tita feels Pedro's "red-hot coal that throbbed through his clothes" (5,341), Mama E cries out for Tita.
  • As usual, she suspects something and speeds up the departure of Pedro and his family to San Antonio.
  • Tita's flashback is interrupted by Mama E coming into kitchen, followed by a sobbing Chencha.
  • Chencha tells them that Roberto has died from eating something bad.
  • Tita feels "the household crashing down around her head" (5,351) and stands up.
  • Mama E orders her to keep working.
  • No longer able to take any more abuse, Tita starts screaming and ripping sausages apart.
  • Enraged, Mama E smashes Tita's face with a wooden spoon.
  • Tita blames Mama E for killing Roberto and hides in the dovecote. Mama E removes the ladder so that Tita can't climb down.
  • Desperate to control the situation, Mama E asks Dr. Brown to take Tita to an insane asylum.
  • Dr. B finds Tita with a broken nose, covered in pigeon droppings and naked.
  • Like a knight in shining armor, he takes her away in his carriage.
  • Chencha runs alongside the carriage and tosses Tita's bedspread to her.
  • Goodbye, cruel world. They ride off with the bedspread flapping behind, so long that it stretched for a kilometer.
  • "TO BE CONTINUED…"